Double you single view
Residency 10.6. – 17.6.24 at Tårnby Park Studio /
Showing 13.9.24 (18.30) at Tårnby Park performance festival Økocity 2.0
About the Project
Double You Single View is a choreographic solo of scenic and performative nature centred around the investigation of voice and corporeality to unfold devices of representation and thought. By subtly combining casual intonations with minimal melodies, occasionally transforming them into song, a line is drawn between music, speech and outcry. The inseparability of body and voice is revealed as the inseparability of sound and matter. A dance emerges as a body that recalls stories of the past.
“The experience of the body as a hole is to choose what you let in, and what you let out. An eye is not an orifice, but a mouth is. So is a cunt, a crack, a nostril, there to be filled, with material as well as immaterial content. The orifice is a sisyphus of its own. You can not own what is not your own, that is; the words of others. Speaking is a shared experience, whether it resonates within your own ears or in front of an audience. Speaking, in its own speed, in its own speech. Does speech own itself, when it leaves the body, behind? A voice that tries to explain itself too much loses its tongue. An eye is not an orifice, but a mouth is.” Sprouted (excerpt), Hanne Lippard
about Magalí Camps
Magalí Camps (she/her) is a dancer and performer. She grew up in northern Catalonia, where she trained at the Escola de Dansa de Celrà and in the company Mal Pelo. She continued her studies at the Danish National School of Performing Arts in Copenhagen (DK), where she graduated in 2022 with a bachelor’s degree in dance and choreography. She has been an apprentice and guest dancer at Cullberg in Stockholm (SE), where she has worked with Alma Söderberg, Halla Ólafsdóttir, Hooman Sharifi, Jeanine Durning and Jefta van Dinther. She has also worked with choreographers Doris Uhlich, Francesco Scavetta, Matija Ferlin, Renan Martins and Samuel Feldhandler. Her dance work revolves around the connection between language, writing and song, intersecting with concepts of intimacy and performance.